Tuesday, December 29, 2015

St. Stephen’s Cathedral (Stephandom)



(l-r: St. Stephen's main entrance; north tower; St. Stephen's and south tower)

As if marking Vienna’s city-center while offering glory to God, St. Stephen’s Cathedral and its 450’ south tower is perhaps Vienna’s most iconic image. The church we see today is the third one at this location and was built between 1300-1450. The south tower alone took 65 years. Construction of the north tower, originally designed as a twin, was abandoned around 1500 probably in order to fund the war effort against the invading Ottomans. The main entrance is flanked by the “Heathen Towers,” two much smaller twins constructed largely from stones of the original Roman church (circa. 1147). (Note: we were told that the annual cost of renovations exceed €2,000,000 and that renovation of one sort or another has been required every year since 1147!!!)

The south tower
The history of the cathedral is the history of Vienna. St. Stephen’s was the site of many important events including Mozart’s wedding to Constanze Webber, the baptism of his children, and his funeral service. In fact, St. Stephen’s has hosted the weddings of such luminaries as Ferdinand I, who was none other than the Emperor of the Holy Roman Empire. The church is the final resting place of Frederick III, considered the “Father of Vienna” (1415-1493) for turning a small village into a royal city.

The current appearance of St. Stephen’s owes a large debt of gratitude to an insubordinate German army officer named Gerhard Klinkicht. In 1945 as the Second World War drew to a close, it appeared that St. Stephen’s would escape major damage. Most of its art treasures had been safely hidden in salt mines, and even the great stained glass windows behind the main altar had been dismantled and securely stored. As the Russians approached from the east, Captain Klinkicht was ordered to shell the cathedral “to the ground.” Needless to say, he did not. However, the roof of the cathedral did catch fire during an Allied bombing raid. Thanks to the stone ceilings and the interior treasures (such as Frederick III’s crypt) being encased in brick, major structural damage was avoided.
 
The main altar
Because Vienna’s vast musical heritage is so rich, we were told that St. Stephen’s might host one or more of the free concerts available at Christmastime. Sure enough, the small billboard beside the church listed the names of Mozart, Haydn, and J.S. Bach to be performed at 10:15 on Christmas morning. When we arrived at 10:00 for the “concert,” it seemed apparent that thousands of people had the same idea. Even though many, many people were already seated, we were among the last allowed to enter the church. Without many seats available we selected two folding chairs near the rectory. Fate has a funny way of caring for people…
The Choir

It was obvious to anyone familiar with such things that this was, in fact, not a concert at all. Yes, there was an orchestra, and yes there was a huge choir. The program did list the master works being performed, but it was abundantly clear we were attending a Catholic Mass—in a 600-year-old church, in Vienna, on Weihnachten! I don’t read German, but even I could figure out that “Kardinal Christoph Schöenborn” meant we would see a rock star, and I was right.

The photo that got me "the nod"
The mass started with a processional reserved for church dignities like cardinals. The blaring organ music, the incense, and the pageantry created an atmosphere of anticipation that seemed to lift the faithful to their feet. There was no doubt as to whom they had come to see. As Cardinal Schöenborn approached I raised my camera and released the shutter, which immediately drew the attention of the eyes-forward attendants preceding him. A gentle smile, and a slow nod of the head and the message was received: prayers now; photos later.

Remember I said that fate has a funny way of caring for people? The cardinal walked slowly and seemed to make eye-contact with every person there. Eventually it was my turn. As he had done for everyone else, he raised his right hand above his forehead, lowered it and crossed it from left to right. He nodded. I nodded back.
The pulpit
Cardinal Schoenborn

Interior view

Even the columns are works of art

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